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Box 4

 Container

Contains 86 Results:

[Duncan Compositions] Black Bards, organized by date; Burial of Moses, organized by date, undated

 File — Box: 4, Folder: 1
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: undated

Gideon and Eliza, organized by date; Sence You Went Away, undated

 File — Box: 4, Folder: 2
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: undated

Articles written by Duncan, organized by date, undated

 File — Box: 4, Folder: 3
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: undated

Miscellaneous clippings, organized by date, undated

 File — Box: 4, Folder: 4
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: undated

1944-1950, 1944-1950

 File — Box: 4, Folder: 5
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: 1944-1950

The State Teachers College Band at Alabama State, December 15, 1944

 Item — Box: 4, Folder: 5, Object: 1
Scope and Contents

featuring Duncan’s arrangement of Hansel and Gretel (with list of composer members of the American Music Center attached)

Dates: December 15, 1944

Davis Shuman at The Town Hall: Souvenir program, April 13, 1947

 Item — Box: 4, Folder: 5, Object: 3
Scope and Contents

featuring Divertimento for Trombone and String Ensemble (with two concert order forms and one photocopy)

Dates: April 13, 1947

The Philadelphia Concert Orchestra at Town Hall, April 24, 1949

 Item — Box: 4, Folder: 5, Object: 4
Scope and Contents

featuring Symphonie Concertante and I Have a Rendezvous With Death (photocopy)

Dates: April 24, 1949

1953-1957, 1953-1957

 File — Box: 4, Folder: 6
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: 1953-1957

The Montgomery Symphony Orchestra: Souvenir program, 1953-1954

 Item — Box: 4, Folder: 6, Object: 1
Scope and Contents

featuring Rural Americana Suite (with one partial copy)

Dates: 1953-1954

1961-1965, 1961-1965

 File — Box: 4, Folder: 7
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: 1961-1965

Alabama State Teachers Association, March 14, 1963-March 19, 1964

 Item — Box: 4, Folder: 7, Object: 4
Scope and Contents

featuring Mendelssohn’s Concerto in G Minor transcribed by Duncan for Band, and Three Negro Spirituals transcribed for band

Dates: March 14, 1963-March 19, 1964

Alabama State College Wind Ensemble, May 8, 1963

 Item — Box: 4, Folder: 7, Object: 5
Scope and Contents

featuring Three Songs (from Six Vocal Bagatelles) and Concerto in G Minor transcription

Dates: May 8, 1963

Alabama State College Choir, May 15, 1963

 Item — Box: 4, Folder: 7, Object: 6

Alabama State Concert Band, May 7, 1964

 Item — Box: 4, Folder: 7, Object: 8
Scope and Contents

featuring Carry Me Back to Old Virginy and Jean arranged by Duncan

Dates: May 7, 1964