Scope and Contents

featuring Black Bards (2 copies)

Scope and Contents

featuring Wend Now thy Way with Brow Serene

Scope and Contents

featuring Symphonie Concertante and I Have a Rendezvous with Death

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents

featuring Duncan as a conductor

Scope and Contents

featuring Duncan as an honored guest

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents

featuring Duncan as a conductor

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents

program notes by Duncan (2 copies)

Scope and Contents

program notes by Duncan

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents

featuring Duncan as conductor

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...

Scope and Contents

featuring “The Chevalier de Saint-Georges: Musician-Patriot” by John Duncan (with 2 negative photocopies of the first page)

Scope and Contents

typed, pp.1-2, 4-7

Scope and Contents

(pp. 79-82, 95-96): “Negro Spirituals-Once More” by John Duncan

Scope and Contents

(pp. 122-144): featuring “The Negro’s Literary Influence on Masterpieces of Music” by John Duncan (with 2 negative photocopies of the first page)