Box 4
Contains 86 Results:
16th Annual Regional Composers Forum at the University of Alabama, April 30-May 2, 1965
featuring Three Obscurants for Tenor, Oboe, and String Quartet (with partial photocopy)
1966-1969, 1966-1969
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Palm Sunday Interracial Program at Trinity A.M.E. Church, April 3, 1966
featuring An Easter Canticle with letter from M.M. Fleming attached
Francis Hester in Concert at Alabama State, May 6, 1966
featuring Sence You Went Away
Fourth Annual Symposium of Contemporary Music for Brass at Georgia State, November 11-13, 1966
featuring Three Proclamations for Trombone and String Quartet with one partial photocopy
Concert of Christmas Music at Alabama State, December 11, 1966
featuring Fantasy for Brass Quintet
The Mobile Symphony Orchestra at Alabama State, October 17, 1968
featuring Rural Americana (two copies)
Composer’s Symposium at the North Carolina School for the Arts, February 18, 1969
featuring “Atavistic” String Quartet
Faculty Recital: Egbert J. Bacon, Pianist at Alabama State, August 8, 1969
featuring Wend Now thy Way with Brow Serene
1970-1973, 1970-1973
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Faculty Recital: William Hamlin, Clarinetist at Albany State College, February 15, 1970
featuring Wend Now thy Way with Brow Serene (two copies)
The Alabama State University Symphonic Band, May 3, 1970
featuring The Marshes of Glynn
A Program of Christmas Music at Alabama State, December 6, 1970
featuring Come and Go with Me (A Spiritual Sermonette), Ennyhow, Go Tell it on the Mountain (with program notes by Duncan; 3 copies)
20th Century Art Songs by Black Composers at the University of Kansas, April 13, 1972
featuring Bluz Cycle
Alabama State Community Symphonette, January 24, 1973
featuring Romance, Blues, and Fuguing tune
Decennium Celebration Honoring Dr. Levi Watkins, February 4-9, 1973
Feb. 4,7,9, 1973, featuring And What Shall You Say?
Lift Every Voice and Sing: A Festival of Music composed or arranged by Black Musicians at Alabama State, February 18, 1973
featuring And What Shall You Say?
Alabama State University Delta Beta Chapter of Phi Mu Alpha Fraternity: The Music of John Duncan, March 1, 1973
featuring Joshua March, Three Atavisms, ORMALU, Evocation and Dance, Bamboula, The Tenor and the Prima Donna (4 copies)
Performance Class at Alabama State, April 12, 1973
featuring Cold Icy Hand
Concert Choir: Spring Concert at Mississippi College, April 16, 1973
featuring The Burial of Moses
Mississippi College Concert Choir at Alabama State, April 26, 1973
featuring The Burial of Moses (6 copies)
Studio Voice Recital at Alabama State, May 30, 1973
featuring Cold Icy Hand, I love My Blessed Savior, Jesus Rides that Milk-White Horse
1974-1975, 1974-1975
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Connoisseur Concerts at the Birmingham Museum of Art, October 20, 1974
featuring Black Bards (2 copies)
Connoisseur Concerts at Miles College Auditorium, October 21, 1974
featuring Black Bards (2 copies)
