Box 2
Container
Contains 3 Results:
Tones and Overtones: A Musical Quarterly, 1955
Item — Box: 2, Folder: 1, Object: 9
Scope and Contents
Spring 1955, pp. 199-206 (reference to performance of Duncan’s Stackalee on p. 199)
Dates:
1955
Large Campus Guide for the University of Indiana at Bloomington, undated
Item — Box: 2, Folder: 4, Object: 9
Scope and Contents
From the Series:
Located in Box 2, Folder 4 and Box 2, Folder 5; contains various types of documents and memorabilia from conferences at the Black Music Center at Indiana University, which Duncan attended in 1971 and 1973. The decision was made to file materials from each trip separately, since it was evident that Duncan had meant to preserve them that way to provide a record of his time spent at each conference.
Dates:
undated
One blank sheet of paper and two empty white envelopes, undated
Item — Box: 2, Folder: 7, Object: 9
Scope and Contents
From the Collection:
The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates:
undated