Box 2
Contains 85 Results:
List of some of Duncan’s Literary Works, undated
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Two first pages of articles in The Negro History Bulletin, 1946-1948
photocopied
“The Chevalier de Saint-Georges - Musician-Patriot”, March 1946
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
“The Negro’s Literary Influence on Masterpieces of Music”, 1948
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Birmingham World, October 5, 1948
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
“The Negro and the Minstrel idea” by John Duncan, October 5, 1948
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Birmingham World, October 12, 1948
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
“Negro Women Accomplish Much in Music Field” by John Duncan, October 12, 1948
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Tones and Overtones: A Musical Quarterly, 1955
Spring 1955, pp. 199-206 (reference to performance of Duncan’s Stackalee on p. 199)
Catalogue of An Exhibit of Material Related to Music and Art by or About Negros, Compiled by The Department of Music, Alabama State College, in Observance of Negro History Week, February 10-16, 1957
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
“ Investigations in Music: a Selected Bibliography and Guide for Students,” by John Duncan, 1959
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Newsletter of the Gulf States Chapter of The American Musicological Society, October 1967
Pages 1 and 4, photocopied (reference to Duncan on p. 4)
Tones and Overtones: A Musical Quarterly, Vol. 4, No. 1, 1970
Makeshift Cover, typed Title Page and pp. 1-2
“A Protean Plateau of Plausibility, or A Narrative Account of Thirteen Musicians on Speaking Terms”, 1970-1971
(Introduction of Alabama State Faculty, as well as other information about the school and African-American artists and scholars, for the 1970-71 year): Duncan mentioned on pp. 46
Typed listing of Duncan Articles, and Biographical Information, May 4, 1971
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Music Teacher’s Workshop, February 1972
pp. 14-15, featuring Abide With Me Arrangement, few pages from extra copy, few photocopied pages
The Choral Journal (Tampa), Vol. 7, No. 8, April 1972
pp. 5-6 (photocopied): A Selective List of Choral Music by Black Composers by Dominique-Rene de Lerma (References Duncan’s A Ballad of the Trees and the Master)
Duncan’s Review of “Black Music of Two Worlds” by John Storm Roberts, 1972
One full photocopy, 4 copies of p. 1
“Music at Alabama State: A History of its Development and Activities,” Incomplete (pp.1-48), author and date unknown, undated
Located in Box 2, Folders 1-3; contains articles and reviews either written by Duncan or mentioning him in some capacity, along with lists of Duncan’s literary works and miscellaneous documents.
Statement of Plan of Work (a book called The Negro in Music) by John Duncan, undated
3 copies, date unknown
Indiana University Folder, 1970-1971
Located in Box 2, Folder 4 and Box 2, Folder 5; contains various types of documents and memorabilia from conferences at the Black Music Center at Indiana University, which Duncan attended in 1971 and 1973. The decision was made to file materials from each trip separately, since it was evident that Duncan had meant to preserve them that way to provide a record of his time spent at each conference.
Letter Acknowledging Duncan’s Pre-Registration for Explorations in Black Music Seminar, undated
Located in Box 2, Folder 4 and Box 2, Folder 5; contains various types of documents and memorabilia from conferences at the Black Music Center at Indiana University, which Duncan attended in 1971 and 1973. The decision was made to file materials from each trip separately, since it was evident that Duncan had meant to preserve them that way to provide a record of his time spent at each conference.
Three-Page Seminar Program, undated
Located in Box 2, Folder 4 and Box 2, Folder 5; contains various types of documents and memorabilia from conferences at the Black Music Center at Indiana University, which Duncan attended in 1971 and 1973. The decision was made to file materials from each trip separately, since it was evident that Duncan had meant to preserve them that way to provide a record of his time spent at each conference.
Program for IU School Of Music Concert: A Concert of Chamber Music by Black Composers, June 29, 1971
with notes on the back in pen
Pamphlet for the Black Music Center, undated
Located in Box 2, Folder 4 and Box 2, Folder 5; contains various types of documents and memorabilia from conferences at the Black Music Center at Indiana University, which Duncan attended in 1971 and 1973. The decision was made to file materials from each trip separately, since it was evident that Duncan had meant to preserve them that way to provide a record of his time spent at each conference.
