Box 1
Contains 81 Results:
The Mobile Symphony Orchestra at Alabama State, featuring Rural Americana (with Southern Exposure), October 17, 1968
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Composer’s Symposium at North Carolina School of the Arts, featuring “Atavistic” String Quartet, February 18, 1969
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Composers Workshop 1969 at North Texas State University School of Music, featuring Three Atavisms, March 24-28, 1969
(2 partial photocopies)
Egbert J. Bacon at Albany State College, featuring “Wend Now Thy Way With Brow Serene”, November 13, 1969
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Rutha Mae Harris, Mezzo Soprano, and Egbert Julian Bacon, Piano, in a Program of Black Piano and Vocal Music at Albany St. University, featuring Scenes from the Kasidah of Haji Abdu, and “Wend Now Thy Way With Brow Serene”, May 15, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Alabama State University Choir at Alabama State, featuring “You’re Tired, Chile”, May 17, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Alabama State University Choir at the First African Baptist Church, featuring Excerpts from “ASU Choral Series”: Come Go With Me (a Spiritual Sermonette), Ennyhow, Go Tell in on the Mountain, December 13, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
1972, 1972
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Contemporary Choral Music Symposium at University of South Florida, January 28, 1972
featuring And What Shall You Say, 2 copies
Xavier University Opera Theatre, March 22-23, 1972
featuring Gideon and Eliza
Full Seminar Program for “Spirituals, Blues and Gospel Music”, July 7, 1972
at the Black Music Center at Indiana University, 1972; Evening Concert Program Draft; Concert Program: July 7, 1972, featuring Black Bards (2 copies)
1973-1974, 1973-1974
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Alabama State University Delta Beta Chapter of Phi Mu Alpha Fraternity: The Music of John Duncan, March 1, 1973
featuring Joshua March, Three Atavisms, ORMALU, Evocation and Dance, Bamboula, The Tenor and the Prima Donna
Mississippi College Concert Choir and Instrumental Ensemble at Alabama St, April 26, 1973
featuring Burial of Moses (3 copies)
Delta Beta Chapter of Phi Mu Alpha Sinfonia, Chapter Day Program, May 22, 1974
featuring Ceremonial Piece and Fuguing Tune
WPLN Presents: Black Composers and Their Music (weekly Radio Show), undated
featuring Marshes of Glynn
Philadelphia Concert Orchestra, undated
featuring Symphonie Concertante (2 partial photocopies)
1932-1954, 1932-1954
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
The Symphony Club at The Academy of Music, April 24, 1932
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
The 17th Annual “Crampton Bowl” Game: Alabama State Teachers College versus Tuskegee Institute, November 21, 1940
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
The State Teachers College Symphonic Band (John Duncan, Conductor), November 27, 1940
(3 copies)
American Youth Orchestra, Concerts for Young People, March 23, 1946
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Frances Newsome, Contralto, in Concert, March 2, 1947
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
The Montgomery Symphony Orchestra, 1953-1954
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
1961-1973, 1961-1973
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
