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Box 1

 Container

Contains 81 Results:

1 Signed B&W photo of composer Roque Cordero, reads: “To John Duncan, with best wishes, Roque Cordero", 1969

 Item — Box: 1, Folder: 6, Object: 4
Scope and Contents From the Series: This material is available to view online. Access to physical copies of digitized content may be allowed upon request at the discretion of our staff.Photo Thumbnails (PDF). Photo descriptions are available in this finding aid.Located in Box 1, Folders 5 and 6; contains multiple professional photographs of Duncan taken at the piano with a score of Gideon and...
Dates: 1969

Correspondence: 1951-1970, 1951-1970

 File — Box: 1, Folder: 7
Scope and Contents From the Series:

Located in Box 1, Folders 7-9; contains various letters and other correspondence dating from 1951-1975, as well as some that are from an unknown date.

Dates: 1951-1970

Correspondence: 1971-1975, 1971-1975

 File — Box: 1, Folder: 8
Scope and Contents From the Series:

Located in Box 1, Folders 7-9; contains various letters and other correspondence dating from 1951-1975, as well as some that are from an unknown date.

Dates: 1971-1975

Correspondence: Date Unknown, undated

 File — Box: 1, Folder: 9
Scope and Contents From the Series:

Located in Box 1, Folders 7-9; contains various letters and other correspondence dating from 1951-1975, as well as some that are from an unknown date.

Dates: undated

And What Shall You Say?, undated

 Item — Box: 1, Folder: 10, Object: 1

“Atavistic” String Quartet, undated

 Item — Box: 1, Folder: 10, Object: 2

Black Bards, undated

 Item — Box: 1, Folder: 10, Object: 3
Scope and Contents From the Series:

Located in Box 1, Folders 10-14; contains a variety of newspaper clippings, most of which are regarding the performance of a Duncan composition. The clippings are organized according to which composition is referenced, and those with no composition referenced are organized separately by date. Organized by reference to Duncan Composition

Dates: undated

Bluz Cycle, undated

 Item — Box: 1, Folder: 10, Object: 4
Scope and Contents From the Series:

Located in Box 1, Folders 10-14; contains a variety of newspaper clippings, most of which are regarding the performance of a Duncan composition. The clippings are organized according to which composition is referenced, and those with no composition referenced are organized separately by date. Organized by reference to Duncan Composition

Dates: undated

Burial of Moses, undated

 Item — Box: 1, Folder: 11, Object: 1

Easter Canticle, undated

 Item — Box: 1, Folder: 12, Object: 1
Scope and Contents From the Series:

Located in Box 1, Folders 10-14; contains a variety of newspaper clippings, most of which are regarding the performance of a Duncan composition. The clippings are organized according to which composition is referenced, and those with no composition referenced are organized separately by date. Organized by reference to Duncan Composition

Dates: undated

Gideon and Eliza, undated

 Item — Box: 1, Folder: 12, Object: 2

St. Helena Spirituals, undated

 Item — Box: 1, Folder: 13, Object: 2
Scope and Contents From the Series:

Located in Box 1, Folders 10-14; contains a variety of newspaper clippings, most of which are regarding the performance of a Duncan composition. The clippings are organized according to which composition is referenced, and those with no composition referenced are organized separately by date. Organized by reference to Duncan Composition

Dates: undated

1961-1966, 1961-1966

 File — Box: 1, Folder: 15
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: 1961-1966

Vesper Service at Alabama State, featuring “Little Suite for Organ”, October 1, 1961

 Item — Box: 1, Folder: 15, Object: 1
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: October 1, 1961

City Symphony Orchestra of New York at the American Museum of Natural History Auditorium, featuring Concerto for Trombone and Orchestra, March 31, 1963

 Item — Box: 1, Folder: 15, Object: 4
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: March 31, 1963

Francis Hester, Bass-Baritone at Alabama State College, featuring Sence You Went Away, May 6, 1966

 Item — Box: 1, Folder: 15, Object: 6
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: May 6, 1966

1967-1970, 1967-1970

 File — Box: 1, Folder: 16
Scope and Contents From the Series:

Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.

Dates: 1967-1970