Jazz
Found in 56 Collections and/or Records:
Joe Gradinger Collection
The collection consists of compact cassettes of live jazz music recorded by Joe Gradinger. Recordings include the Topeka Jazz Workshop, Wichita Jazz Festival, KC Jazz Workshop All Stars, Mid-American Jazz Festival, Denver Jazz Party, and performances by Jay McShann, Milt Abel, Priscilla Bowman, Woody Heman, Dave Brubeck, Zoot Simms, and Marilyn Maye.
Joe Heyen Collection
The collection consists of cassette tapes and CD’s of live concerts at Penn Valley Park, Crown Center, Line Creek Park and the Cowtown Ballroom in Kansas City. The dates of the concerts range from 1973-1979. There is also a copy of the 2009 documentary "Cowtown Ballroom… Sweet Jesus" which was produced and directed by Heyen in the collection.
John Benson Brooks Collection
A portion of the collection consists of recordings of performances and compositions by John Benson Brooks on lacquer discs. A large part of the collection are recordings of music, broadcasts, documentaries, etc. that Brooks had recorded to open reel audiotape.
John Coon Collection
John Park Collection
Consists of live performace recordings of jazz musician John Park.
Joseph V. Thomas Collection
Judy Chaikin Collection
Kansas City Jazz Festival Collection
The Kansas City Jazz Festival Collection was gifted to the UMKC Miller Nichols Library by the Ed Roche family estate after his death in 1997. The collection consists of festival programs for every year between 1964 and 1972, which are housed in LaBudde Special Collections. Also in the collection are live recordings engineered by Roche between the years 1964 and 1971, which are housed in the Marr Sound Archives.
Kerry Strayer Collection
Lewis Roht Collection
Live recordings of performances by Kansas City jazz musicians on cassette tapes.
Louis Katzman Collection
Major N. Clark Smith Collection
Marr Sound Archives Audiovisual Collection
This collection consists of many recordings that were accumulated since the founding of the Marr Sound Archives but the provenance and/or donors are unknown. There is limited information about the recordings in this collection. Much of the collection are lacquer discs of various music performances and home recordings. The collection also holds various test pressings, open reel tapes, cassettes, CD-Rs, and films.
Mel Lewis Collection
Mike Adams Collection
The audiovisual materials in this collection consists of many live recordings of renown jazz musicians playing in the Kansas City area and surrounding region, including Jay McShann, Pat Metheney, Clark Terry, Zoot Simms, Woody Herman, Barney Kessel, and Ella Fitzgerald, among other legends. The collection also consists of jazz festival recordings, including the Mid-America Jazz Festival, Wichita Jazz Festival, Jazz Olympics, and the Kansas City Women's Jazz Festival.
Norman Saks Collection
Paul Smith Collection
Contains recordings of of jazz performances, including Kerry Strayer, Kim Park, and Kansas City 7.
Pla-Mor Ballroom Photograph Collection
Raymond Scott Collection
Robert Brookmeyer Collection
Robert "Old Uncle Bob" Mossman Collection
The majority of the materials consists of broadcast recordings of Robert "Old Uncle Bob" Mossman's jazz program on KKFI, Kansas City.
Ruth Rhoden Collection
The collection consists of DVDs, VHS Tapes, and U-matic tapes of Ruth's Music Corner, a public access television program hosted by Ruth Rhoden from 1988-1996. The collection contains many interviews and recordings of live performances by Kansas City jazz musicians. Other recordings include live performances and raw footage from Kansas City Alive, where Ruth had her own jazz-oriented segment, which evolved into Ruth’s Music Corner.
Sheet Music Collection
Steve Miller Collection
Stuart MacKay Collection
The Stuart MacKay Collection was gifted to the LaBudde Department of Special Collections in May 2010. The collection consists primarily of jazz and classical music arrangements by John Saunders for MacKay’s woodwind quintet and band. These manuscripts are undated and unpublished. Included also are copies of two published MacKay compositions, fake books, bassoon and woodwind scores, a theory textbook, and some promotional material and personal papers. Inclusive dates are 1938-1986.