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Box 4

 Container

Contains 37 Results:

Mass in Eb, [Op. 5], 1890

 File — Box: 4, Folder: 1
Scope and Contents

Boston: Arthur P. Schmidt, 1890. 19.3 cm x 28 cm. 83p. Score for SATB chorus and piano. Annotations in ink. Signed: A.M.B. Woods Hole, Sept 5th, 1890.

Dates: 1890

Meadow-Larks, Op. 78, no. 1, 1917

 File — Box: 4, Folder: 2
Scope and Contents

New York: G. Schirmer, 1917. 23.3 cm x 30.3 cm. 7p. Score for treble voice and piano. Text by Ina Coolbrith. From Three Songs. Annotations in pencil.

Dates: 1917

Menuet Italien, Op. 28, no. 2, 1894

 File — Box: 4, Folder: 3
Scope and Contents

Boston: Arthur P. Schmidt, 1894. 22.8 cm x 29.6 cm. 7p.Score for piano. From Trois Morceaux Caractéristiques.

Dates: 1894

Message, Op. 93, 1922

 File — Box: 4, Folder: 4
Scope and Contents

Philadelphia: Theodore Presser, 1922. 23.5 cm x 31 cm. 5p. Score for treble voice and piano. Text by Sara Teasdale

Dates: 1922

Mignonette, Op. 97, no. 3, 1929

 File — Box: 4, Folder: 5
Scope and Contents

Published in The Etude, November, 1929, p. 821-822. 26.6 cm x 33.7 cm. 2p. Score for piano. From Grandmother’s Garden. Mrs. Beach’s portrait on front

Dates: 1929

Mine Be The Lips, Op. 113, 1921

 File — Box: 4, Folder: 6
Scope and Contents

Boston: Oliver Ditson, 1921. 23.3 cm x 31.2 cm. 5p. Score for high voice and piano. Text by Leonora Speyer.

Dates: 1921

Mine Be The Lips, Op. 113, 1921

 File — Box: 4, Folder: 7
Scope and Contents

Boston: Oliver Ditson, 1921. 23.7 cm x 31.3 cm. 5p. Score for medium voice and piano. Text by Leonora Speyer.

Dates: 1921

My Star, Op. 26, no. 1, 1894

 File — Box: 4, Folder: 8
Scope and Contents

Boston: Arthur P. Schmidt, 1894. 26.5 cm x 35 cm. 7p. Score for soprano or tenor and piano. Text by Cora Fabbri. From Four Songs. Annotations in pencil.

Dates: 1894

The Night Sea, Op. 10, no. 2, 1918

 File — Box: 4, Folder: 9
Scope and Contents

Boston: Arthur P. Schmidt, 1918. 23.8 cm x 31.2 cm. 9p. Score for SS solo and piano. Text by Harriet Prescott Spofford. From Songs of the Sea

Dates: 1918

Night Song at Amalfi, Op. 78, no. 2, 1917

 File — Box: 4, Folder: 10
Scope and Contents

New York: G. Schirmer, 1917. 23.2 cm x 30.2 cm. 5p. Score for treble voice and piano. Text by Sara Teasdale. From Three Songs. Annotations in pencil. Dedication: “For Mrs. Ingram with affectionate regard. Amy M. Beach. Hillsboro, May 17, 1917.”

Dates: 1917

An Old Love-Story, Op. 71, no. 3, 1910

 File — Box: 4, Folder: 11
Scope and Contents

Boston: Arthur P. Schmidt, 1910. 24.6 cm x 33.8 cm. 5p. Score for soprano or tenor and piano. Text by Belle Lowe Stathem. From Three Songs. Annotations in pencil

Dates: 1910

An Old Love-Story, Op. 71, no. 3, 1897

 File — Box: 4, Folder: 12
Scope and Contents

Boston: Arthur P. Schmidt, 1897. 22.2 cm x 29.8 cm. 7p. Score for treble voice and piano. Text by William Shakespeare. From Three Shakespeare Songs.

Dates: 1897

O Sweet Content, Op. 71, no. 2, 1910

 File — Box: 4, Folder: 13
Scope and Contents

Boston: Arthur P. Schmidt, 1910. 26 cm x 30 cm. 7p. Score for soprano or tenor and piano. Text by Thomas Dekker. From Three Songs.

Dates: 1910

O Were my Love Yon Lilac Fair!, Op. 43, no. 3, 1899

 File — Box: 4, Folder: 14
Scope and Contents

Boston: Arthur P. Schmidt, 1899. 26.2 cm x 33.7 cm. 3p. Score for soprano or tenor and piano. Text by Robert Burns. From Five Burns Songs.

Dates: 1899

Rendezvous, [Op. 120], 1928

 File — Box: 4, Folder: 15
Scope and Contents

Boston: Oliver Ditson, 1928. 23.5 cm x 31.2 cm. 13p. Score for high voice and piano (with violin obbligato, 3 pp). Text by Leonora Speyer.

Dates: 1928

Scottish Legend (Légende écossaise), Op. 54, no. 1, 1903

 File — Box: 4, Folder: 16
Scope and Contents

Boston: Arthur P. Schmidt, 1903. 23.6 cm x 31.6 cm. 5p. Score for piano. From Two Compositions.

Dates: 1903

Sea Song, Op. 10, no. 3, 1890

 File — Box: 4, Folder: 17
Scope and Contents

Boston: Arthur P. Schmidt, 1890. 28.6 cm x 34.8 cm. 9p. Score for SS chorus and piano. Text by William Ellery Channing. From Songs of the Sea.

Dates: 1890

Separation, Op. 76, no. 1, 1914

 File — Box: 4, Folder: 18
Scope and Contents

New York: G. Schirmer, 1914. 24.9 cm x 30.7 cm. 6p. Score for treble voice and piano. Text by John L. Stoddard. From Two Songs

Dates: 1914

Shena Van, Op. 56, no. 4, 1904

 File — Box: 4, Folder: 19
Scope and Contents

Boston: Arthur P. Schmidt, 1904. 23.5 cm x 31.2 cm. 5p. Score for mezzo-soprano or baritone and piano. Text from “Yolande” by William Black. From Four Songs. 2 copies

Dates: 1904

Song Album: A Cyclus of 14 Selected Songs with Pianoforte Accompaniment, 1891

 File — Box: 4, Folder: 20
Scope and Contents

Boston: Arthur P. Schmidt, 1891. Copy 1: 28.4 cm x 19.6 cm. Copy 2: 23.5cm x 31cm. 59p. Score for treble voice and piano. 2 copies. Also a slightly different version, from the same year, with only 13 songs.

Dates: 1891

A Song of Liberty, Op. 49, 1918

 File — Box: 4, Folder: 21
Scope and Contents

Boston: Arthur P. Schmidt, 1918. 26.7 cm x 34.2 cm. 7p. Score for alto or baritone and piano. Text by Frank Stanton. Annotations in pencil

Dates: 1918

Song of Love [Chanson d’Amour], Op. 21, no. 1, 1893

 File — Box: 4, Folder: 22
Scope and Contents

Boston: Arthur P. Schmidt, 1893. 26.7 cm x 34.8 cm. 7p. Score for treble voice and piano. Text by Victor Hugo.

Dates: 1893

Spring, Op. 26, no. 3, 1894

 File — Box: 4, Folder: 23
Scope and Contents

Boston: Arthur P. Schmidt, 1894. 24.7 cm x 32.3 cm. 5p. Score for soprano or tenor and piano. Text by Cora Fabbri. From Four Songs.

Dates: 1894

Springtime, Op. 124, 1929

 File — Box: 4, Folder: 24
Scope and Contents

New York: G. Schirmer, 1929. 23.2 cm x 30.3 cm. 5p. Score for high voice and piano. Text by Susan Merrick Heywood.

Dates: 1929

Though I Take the Wings of Morning, Op. 152, 1941

 File — Box: 4, Folder: 25
Scope and Contents

New York: Composers Press, 1941. 22.9 cm x 30.4 cm. 5p. Score for medium to high voice and piano. Text by Robert Nelson Spencer

Dates: 1941