Box 14
Contains 37 Results:
Ain’t That a Kick in the Head (James Van Heusen/Sammy Cahn, arr. Strayer), undated
Full score, 7 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Ain’t Too Proud to Beg (Edward Holland & Norman Whitfield, arr. Strayer), undated
Full score, 10 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
All That Jazz, November 2003
Full score, 7 pp., 18 parts: voice/rhythm, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
All the Things You Are (Jerome Kern/Oscar Hammerstein, arr. Strayer), undated
Full score [ink M.S.], 10 pp., 18 parts [ink/facsimile, except voice]: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Almost Like Being in Love (arr. Bill Holman), undated
Full score, 12 pp. 17 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2 (solo), baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, piano, bass, drums
Alright, OK, You Win (Sid Wyche & Mayme Watts, arr. Strayer), undated
Full score, 16 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
America the Beautiful (Samuel Ward & Katherine Bates, arr. Strayer), undated
Full score, 4 pp. 19 parts: treble voice, bass voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
2nd version, undated
Condensed score, 4 pp. 18 parts: voice, alto sax 1/flute/piccolo, alto sax 2/flute/piccolo, tenor sax 1/flute/clarinet, tenor sax 2/clarinet, baritone sax/bass clarinet, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, keyboard, bass, drums
Angel Eyes (Matt Dennis, arr. Clint Ashlock), 2011
Full score, 11 pp. 17 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1/flugelhorn, trumpet 2/flugelhorn, trumpet 3/flugelhorn, trumpet 4/flugelhorn, trombone 1, trombone 2, trombone 3, trombone 4 (bass), piano, bass, drums
As Time Goes By (Herman Hupfeld, arr. Mike Carubia), 1994
Full score, 19 pp. 20 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums, SATB vocal quartet, SSAA vocal quartet
The Best is Yet to Come, undated
Lyrics. 16 parts: alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1 (lead), trumpet 2, trumpet 3, trumpet 4, trombone 1 (lead), trombone 2, trombone 3, trombone 4, piano, bass, drums
The City of Blinding Lights, undated
Full score, 8 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, synthesizer, bass, drums
Cohan Medley, undated
Full score [ink M.S.], 13 pp. Lyrics. 18 parts [ink]: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Come Fly with Me (Sammy Cahn and James van Heusen), undated
16 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, piano, bass, drums
2nd version (transcribed Jon Harpin), 1958
Full score, 18 pp. 18 parts: voice, alto sax 1/clarinet, alto sax 2/clarinet, tenor sax 1/flute, tenor sax 2/flute, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Come in From the Rain, November 1980
16 parts: alto sax 1/flute, alto sax 2/flute, tenor sax 1/clarinet, tenor sax 2/clarinet, baritone sax/bass clarinet, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, piano, bass, drums
Dance to the Music (arr. David Sharp), undated
Full score, 7 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, organ, bass, drums
Dancing in the Street (Marvin Gaye, Ivy Hunter, & William Stevenson, arr. Strayer), undated
Full score, 8 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, keyboard, bass, drums
Day By Day (Sammy Cahn, Axel Stordahl & Paul Weston, arr. Strayer), undated
Full score [pencil M.S.], 7 pp. 18 parts [ink/facsimile, except voice]: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Dock of the Bay (Steve Cropper & Otis Redding, arr. Strayer), undated
Full score, 6 pp. 19 parts: treble voice, bass voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, keyboard, bass, drums
Don’t Get Around Much Anymore (Ellington, arr. Dave Wolpe), 1970
Full score, 9 pp. 19 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4 (bass), guitar, piano, bass, drums, solo tenor sax (substitute for voice)
Don’t Stop Believin’ (Steven Perry, Neal Schon, & Jonathan Cain, arr. Strayer), undated
Full score, 10 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, electric piano, bass, drums
Don’t Worry ‘Bout Me (Rube Bloom & Ted Koehler, arr. Billy Byers), undated
Full score, 4 pp. 19 parts: treble voice, bass voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, guitar, piano, bass, drums
Don’t You Wonder (Kathleen Holeman, arr. Strayer), undated
Full score, 7 pp. 18 parts: voice, alto sax 1, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, solo trumpet, trumpet 1/flugelhorn, trumpet 2/flugelhorn, trumpet 3/flugelhorn, trombone 1, trombone 2, trombone 3 (optional), trombone 4, guitar, piano, bass, drums
Duke’s Place (Ellington, arr. Strayer), undated
Full score [ink M.S.], 11 pp. Lyrics. 19 parts [ink/facsimile]: alto sax 1/clarinet, alto sax 2, tenor sax 1, tenor sax 2, baritone sax, trumpet 1, trumpet 2, trumpet 3, trumpet 4, trombone 1, trombone 2, trombone 3, trombone 4, piano, bass, drums, alto sax 1 (if clarinet in tenor sax 2), alto sax 2 (if clarinet in tenor sax 2), tenor sax 2/clarinet
