Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series I of the collection contains personal correspondence to and from John Garrity in the form of handwritten letters, typed letters, and postcards. They are in chronological order, mostly dating between 1970 and 1977. It also contains correspondence to and from musicians, specifically regarding music projects and production. Additionally, there is correspondence between Garrity and record companies and recording studios, as well as correspondence from Rolling Stone.

Series II contains various written materials. The most substantive bodies of writing are drafts and notes by Garrity for The Great American Music Conspiracy and the draft and final copy of Coming Out, a book by David Harris and Joan Baez Harris. Also included are website printouts, writings and drafts by Garrity related to the record he produced (“Kansas City Jazz Spectrum”), as well as newspaper and periodical snippets, along with tabloids, such as The Kept Press and Rolling Stone.

Series II contains various written materials. The most substantive bodies of writing are drafts and notes by Garrity for The Great American Music Conspiracy and the draft and final copy of Coming Out, a book by David Harris and Joan Baez Harris. Also included are website printouts, writings and drafts by Garrity related to the record he produced (“Kansas City Jazz Spectrum”), as well as newspaper and periodical snippets, along with tabloids, such as The Kept Press and Rolling Stone.

Series II contains various written materials. The most substantive bodies of writing are drafts and notes by Garrity for The Great American Music Conspiracy and the draft and final copy of Coming Out, a book by David Harris and Joan Baez Harris. Also included are website printouts, writings and drafts by Garrity related to the record he produced (“Kansas City Jazz Spectrum”), as well as newspaper and periodical snippets, along with tabloids, such as The Kept Press and Rolling Stone.

Series II contains various written materials. The most substantive bodies of writing are drafts and notes by Garrity for The Great American Music Conspiracy and the draft and final copy of Coming Out, a book by David Harris and Joan Baez Harris. Also included are website printouts, writings and drafts by Garrity related to the record he produced (“Kansas City Jazz Spectrum”), as well as newspaper and periodical snippets, along with tabloids, such as The Kept Press and Rolling Stone.