Scope and Contents From the Series:

This series is contained in box 23, folders 10-12, box 24, and box 25, folders 1-5; and consists of published scores composed by Skilton. Works are divided into the following categories: Orchestral, Vocal, and Instrumental. Material is arranged alphabetically by title within each category.

Scope and Contents From the Series:

This series is contained in box 23, folders 10-12, box 24, and box 25, folders 1-5; and consists of published scores composed by Skilton. Works are divided into the following categories: Orchestral, Vocal, and Instrumental. Material is arranged alphabetically by title within each category.

Scope and Contents

New York: Carl Fischer, 1919. 17 pp.

Scope and Contents

New York: Carl Fischer, 1921. 9 pp. Corrected engraver’s proof sheets.

Scope and Contents

New York: Carl Fischer, 1921, 11 pp. Transcribed from the orchestral score by Carl A. Preyer.

Scope and Contents

Andante Pastorale for the Organ. Philadelphia: Theodore Presser, 1920. 5 pp. Inscription: “Compliments of Gerhard Alexis.”

Scope and Contents

A Summer Morning. Offertories and Recital Pieces for the Organ. Boston: Arthur P. Schmidt, 1922. 7 pp. Inscription: “To Charles Sanford Skilton with best wishes.” Includes promotional material on Barbour.

Scope and Contents

Improvisations for piano, Opus 20. New York: Universal Edition, 1922. 16 pp.

Scope and Contents

Norme: Lyrische Tragodie in Zwei Acten. No. 4, Scene und Cavatinefur Sopran. Wien: Ant. Diabeli & Comp., [n.d.]. 18 pp.

Scope and Contents

Arietta for Organ. Rockford, IL: A. G. Ogren, 1923. 2 pp. Inscription: “Mr. Charles Sanford Skilton with cordial greetings from Hagbard Brase.”

Scope and Contents The Hunter’s Horn. Cantata. Chicago: H. T. Fitzsimons, 1926. 26 pp. Inscription: “To dear Mr. Skilton in remembrance of Jan. 9th, 1927 and his friend Carl Busch.” Ode to France. A Cantata for Soli Voices, Chorus and Orchestra. New York: H. W. Gray, 1919. 109 pp. Inscription: “My dear friend and colleague Charles Stanford Skilton in remembrance of April 25, 1920, sincerely Carl Busch.” Sir Gallahad. Boston: Oliver Ditson, 1921. 16 pp. Inscription: “To my dear old friend Charles Skilton with...

Scope and Contents

The Bells of Capistrano. An Operetta. Chicago: H. T. Fitzsimons, 1928. 134 pp. Inscription: “With best wishes, Charles and Juanita Roos.”

Scope and Contents

Pierrot Wounded: Recitations with Music for the Pianoforte, Opus 3?. Boston: Arthur P. Schmidt, 1917. 7 pp. Inscription: “To Charles S. Skilton with the cordial regards of Rossetter Cole.”

Scope and Contents

Exultate (Song at Rejoicing), for Mixed Chorus and Orchestra, Opus3?. Boston: Arthur P. Schmidt, 1929. 19 pp. Inscription: “To Prof. Skilton with the best wishes of Mabel Daniels.” Glory and Endless Years, Opus 27, No. 1. Boston: Arthur P. Schmidt, 1921. 5 pp. Inscription: “Christmas greetings to Prof. Skilton and Mrs. Skilton.”

Scope and Contents

Missing. Grand Choeur de Féte. Cincinnati: Willis Music, 1917. 6 pp. 2 copies. Inscriptions: Copy 1: “With compliments.” Copy 2:“With Arthur Davis’ compliments.” Intermezzo (Les Sylphes). Recital Pieces for Organ. New York: J. Fischer, 1916. 6 pp.

Scope and Contents

Pastorale. The Boston Music Co. Edition of Works for Organ, Series III. Boston: Boston Music, 1918. 7 pp. Inscription: “To Mr. Skilton with the compliments of Katherine K. Davis.”