Box 9
Contains 395 Results:
Peterson, Lucky, January 31, 1990 - September 14, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Peyroux, Medeleine, June 17, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Phil Guy & the Chicago Machine, March 31, 1988 - April 18, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Phillip Walker Blues Band, December 10, 1988 - October 1, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Picasso Trigger, October 14, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Piccolo, Greg, October 17, 1995 - October 29, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Pig Pen, April 16, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Plan 9, March 16, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Poi Dog Pondering, September 20, 1988 - January 23, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Pollonais, Lance, December 13, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Pontiax, The, January 13, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Popa Chubby, May 22, 1995 - August 25, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Preacher Boy, March 25, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Presidents, The, August 25, 1992 - January 20, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Primer, John, May 13, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Primich, Gary, January 19, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Professor’s Blues Review, December 3, 1985 - February 4, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Psyclone Rangers, May 1, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Punkinhead, February 1, 1996 - June 26, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Queen Ida & the Bon Ton Temps, February 29, 1988 - November 9, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Music Contracts: R - Rising, 1989 - 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Radio Kings, The, May 11, 1995 - August 10, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Rapone, Al, December 1, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Rave-ups, The, April 3, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Rebirth Brass Band, December 21, 1994 - January 5, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
