Box 9
Contains 16 Results:
Nulisch, Darrell, March 26, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Peyroux, Medeleine, June 17, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Ridgeway, Stan, June 22, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Rondo’s Blues Delux, February 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Ruthie and the Wranglers, October 16, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sheperd, Kenny Wayne, October 31, 1995 - March 11, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Stevie Ray Vaughn & Double Trouble, July 17, 1981
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
S.W.A.M.M.P., June 8, 1987 - November 13, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Thin White Rope, February 13, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Toots & the Maytals, June 17, 1992 - August 12, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Wayne Toups & the Zydecajun, August 7, 1989 - March 31, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Wishniaks, The, May 29, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Bokar, Pascal, April 24, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Hemphill, Jessie Mae, October 9, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Michael Hill’s Blues Band, March 31, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Setzer, Brian, May 14, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
