Box 9
Contains 16 Results:
Music Contracts: Strawberry - Sweet, 1987 - 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Strawberry Zots, September 21, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Strother, Percy, November 1, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Studebaker John & the Hawks, April 24, 1996 - October 25, 1999
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Subdudes, The, November 15, 1989 - March 13, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sugar Blue’s Band, July 15, 1987 - September 11, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sugar Ray and the Bluetones, February 17, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Suhler, Jim, November 2, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sun-Go, March 16, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sun RA and His Cosmo Love Adventure Arkestra, October 27, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sun 60, May 4, 1993 - March 10, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sundogs, The, May 3, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Super Suckers, The, September 23, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
S.W.A.M.M.P., June 8, 1987 - November 13, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Swamp Zombies, March 14, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Sweet Baby, April 14, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
