Box 8
Contains 24 Results:
A Miniature, March 23, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Baaro, January 8, 1993 - December 9, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Big Bad Smitty, June 20, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Bokar, Pascal, June 30, 1997 - May 22, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Bucket Number Six, September 17, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Cale, John, March 16, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Chick Corea Elektric Band, undated
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
City Light Services, May 6, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
dB’s, The, August 3, 1987
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Dead Milkmen, November 19, 1985 - February 10, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Doctor John, February 1, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Eek-a-mouse, December 29, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Faith Healers, May 2, 1989
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Little Jimmy King, October 17, 1991 - July 29, 1993
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Madcat & Kane, May 5, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
McClinton, Delbert, June 28, 1988 - January 22, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Monster Mike Welch, April 25, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Garner, Larry, July 26, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Hadden Sayers Band, September 3, 1997 - October 13, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Iguanas, February 6, 1997 - March 12, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Jah Mark & the Soulshakers, June 8, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
John Mayall & the Bluesbreakers, December 19, 1990 - February 13, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Keb’Mo’, August 25, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Lamont Cranston Band, March 28, 1979 - May 15, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
