Box 8
Contains 23 Results:
Albert Collins & the Icebreakers, August 21, 1979 - March 12, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Barrence Whitfield & the Savages, September 27, 1995 - November 7, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Billy Goat, July 7, 1991 - September 8, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Brave Combo, March 30, 1989 - January 16, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Butch Mudbone & the Wolfpack, May 20, 1991
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Chalice, August 7, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Chune, June 22, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Connor, Joanna, September 13, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Davies, Debbie, February 1996 - May 14, 1996
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Drivin’ N’Cryin’, March 23, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Ethical Treatment, February 17, 1994 - June 27, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Legg, Adrian, September 10, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Love Jones, June 23, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Mark Hummel & the Blue Survivors, June 8, 1996 - October 9, 1998
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Michael E. Johnson & the Killer Bees, April 18, 1990 - January 30, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Murphy, Matt “Guitar”, December 23, 1985 - November 8, 1990
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Fleshtones, The, February 19, 1992
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Ginn, Greg, August 8, 1994
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Hawkins, Jay “Screamin’”, January 22, 1990 - August 14, 1991
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Irie Vibrations, November 9, 1995 - December 27, 1995
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Jimmy Johnson Blues Band, February 6, 1987 - February 13, 1988
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
Jordan, Stanley, April 9, 1990 - February 8, 1991
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
King Ernest & His Wild Knights, June 22, 1997
Consists of three groupings: (1) music contracts for performances at the Grand Emporium, as well as for shows at other area venues and events negotiated by Roger Naber; (2) music contracts for the Kansas City Blues & Jazz Festival; and (3) contracts with the aforementioned festival’s sponsor, CommuniGroup of Kansas City, Inc (CGI). Music contracts are grouped by performer name; contracts with CGI are filed at the end of the series. Contracts are contained in boxes 8 and 9.
