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Box 5

 Container

Contains 107 Results:

Business Documents, 1950-1969

 File — Box: 5, Folder: 7
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: 1950-1969

Business Documents, 1970-1979

 File — Box: 5, Folder: 8
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: 1970-1979

Business Documents, undated

 File — Box: 5, Folder: 9
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: undated

1950s, 1950-1959

 File — Box: 5, Folder: 10
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: 1950-1959

Notice of Annual Meeting, 1955

 Item — Box: 5, Folder: 10, Object: 2
Scope and Contents

for the American Musicological Society, with ballot for election of officers, typed, 2 pp.

Dates: 1955

Conference Directory – 1956 for the Composers’ Conference at Bennington (Vt.) College, 1956

 Item — Box: 5, Folder: 10, Object: 3
Scope and Contents

for the Composers’ Conference at Bennington (Vt.) College, typed, 2 pp.

Dates: 1956

Program for the Annual Meeting of the Association for the study of Negro Life and History at Alabama State, November 14-16, 1957

 Item — Box: 5, Folder: 10, Object: 4
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: November 14-16, 1957

Program for the Thirty-Third Annual Celebration of Negro History Week, February 9-16, 1958

 Item — Box: 5, Folder: 10, Object: 5
Scope and Contents From the Collection: The John Duncan Collection was gifted to the LaBudde Special Collections, UMKC Miller Nichols Library, by Stephen and Lanette Shepherd in August 2010. Contained in the collection are many of Duncan’s scores, in both complete and incomplete form, as well as sketches, arrangements and scores from other composers, such as Samuel Coleridge Taylor, William Grant Still, Clarence Cameron White, and others. Duncan’s compositions span all genres, with chamber, vocal, choral and large ensemble pieces...
Dates: February 9-16, 1958