Box 1
Contains 9 Results:
1967-1970, 1967-1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Altona Trent Johns, Pianist at Alabama State College, featuring Sonnets in Sound, movements I and II, February 5, 1967
(2 copies)
The Mobile Symphony Orchestra at Alabama State, featuring Rural Americana (with Southern Exposure), October 17, 1968
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Composer’s Symposium at North Carolina School of the Arts, featuring “Atavistic” String Quartet, February 18, 1969
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Composers Workshop 1969 at North Texas State University School of Music, featuring Three Atavisms, March 24-28, 1969
(2 partial photocopies)
Egbert J. Bacon at Albany State College, featuring “Wend Now Thy Way With Brow Serene”, November 13, 1969
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Rutha Mae Harris, Mezzo Soprano, and Egbert Julian Bacon, Piano, in a Program of Black Piano and Vocal Music at Albany St. University, featuring Scenes from the Kasidah of Haji Abdu, and “Wend Now Thy Way With Brow Serene”, May 15, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Alabama State University Choir at Alabama State, featuring “You’re Tired, Chile”, May 17, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
Alabama State University Choir at the First African Baptist Church, featuring Excerpts from “ASU Choral Series”: Come Go With Me (a Spiritual Sermonette), Ennyhow, Go Tell in on the Mountain, December 13, 1970
Located in Box 1, Folders 15-20; divided into two sections: A: Programs Featuring Duncan Compositions, and B: Programs That Do Not Feature Duncan Compositions. The programs are organized by date within each of the two sections. In section A, the Duncan compositions are noted for reference purposes. In section B, if Duncan had a role in the concert or creation of the program, that is noted as well.
