Box 19
Contains 43 Results:
Sonata for Piano, 1955
American Composers Edition, Composers Facsimile Edition, 15p.
Sonata No. 1, Op. 6 for Piano, 1949
American Composers Edition, Composers Facsimile Edition, 29p. “The first performance was given at Meany Hall, Seattle, Washington, on February 26, 1950, with Jane Beale as pianist.”
Sonata No. 3, Op. 9 for Piano, 1950
American Composers Edition, Composers Facsimile Edition, 22p. Includes Performance Note.
Sonata No. 6, Op. 13 for Piano, 1952
American Composers Edition, Composers Facsimile Edition, 22p. “The first performance was given by John T. Moore at Meany Hall, Seattle, Washington, in the summer of 1953.”
Sonata No. 7, Op. 30 for Piano, 1956
American Composers Edition, Composers Facsimile Edition, 20p.”It was performed in public for the first time by Jane Beale on October 19th of that year (1956), at the University of Washington, Seattle, Wa.”
Sonata No. 8, Op. 31 for Piano, 1963
American Composers Edition, Composers Facsimile Edition, 21p.
Three Etudes, Op. 39 for Piano, October 29, 1963
Copy of Handwritten Score, 18p. “For Sonja Behrens”.
Third Piano Sonata, Op. 41, July 2, 1987
Published by ProArt Publications: A Division of Belwin Mills Publishing Corp. Copy of handwritten Score, 23p. “To Robert Weirich with admiration, Lawrence University Jan. 9/ 93”.
Piano Sonata, undated
Copy of Full Score, 6p. Includes letter from wife, Helen Boatwright, 1p. Attached to Score.
Sonata for Piano, 1958
American Composers Edition, Composers Facsimile Edition, 14p.
Piano Sonata, 1961
American Composers Edition, Composers Facsimile Edition, 24p. Revised 1977
The Sweetgrass Trio for the New Age Trio for Violin, Cello, and Piano, 1982
Copy of Handwritten Full Score, 62p. Includes Copy of Handwritten Instrument Parts: Violin, 17p. Cello, 11p.
Tête-à-Tête for Cello and Piano, July 1, 1974
Copy of handwritten Full Score, 18p. “for Michel Straus”.
Six Bagatelles for Flute and Piano, December 1974
Copy of Handwritten Full Score, 11p. “dedicated with deep appreciation, to Thomas Nyfenger”.
Duo for Flute/Alto Flute and Piano, 1978
American Composers Edition, Composers Facsimile Edition, 11p. Includes copy of instrument part: Flute, 5p.
Sonata in One Movement for Piano, undated
American Composers Edition, Composers Facsimile Edition, 24p.
Sonata No. 2 for Piano, 1940
American Composers Edition, Composers Facsimile Edition, 31p.
“What’s in an Octave?”, Op. 84 for Piano, undated
Copy of Full Score, 11p.
Prelude and Fugue, Op. 94, 1931-1936
[Fugure, 1931, Prelude 1936] Copy of Handwritten Score, 7 pg. Includes editing marks.
Studies in Pure Polytonality, Op. 103, No. 6 “Sea Picture”, undated
Copy of Handwritten Score, 6p.
Studies in Pure Polytonality, Op. 103, No. 8, 1940
Copy of Handwritten Score, 4p.
Studies in Pure Polytonality, Op. 103, No. 10, undated
Copy of Handwritten Score, 4p.
Studies in Pure Polytonality, Op. 109, No. 1, undated
Copy of Handwritten Score, 3p.
Studies in Pure Polytonality, Op. 109, No. 2, 1940
Copy of Handwritten Score, 3p.
Studies in Pure Polytonality, Op. 109, No. 3, 1945
Copy of Handwritten Score, 5p.
