Found 43 Results | Special Collections and Archives Finding Aids

Studies in Pure Polytonality, Op. 109, No. 5, 1941

Item — Box: 19, Folder: 12, Object: 10

Scope and Contents

Copy of Handwritten Score, 2p.

Dates: 1941

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 7, undated

Item — Box: 19, Folder: 12, Object: 11

Scope and Contents

Copy of Handwritten Score, 4p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 9, undated

Item — Box: 19, Folder: 12, Object: 12

Scope and Contents

Copy of Handwritten Score, 4p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 12, undated

Item — Box: 19, Folder: 12, Object: 13

Scope and Contents

Copy of Handwritten Score, 3p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 13, undated

Item — Box: 19, Folder: 12, Object: 14

Scope and Contents

Copy of Handwritten Score, 3p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 14, undated

Item — Box: 19, Folder: 12, Object: 15

Scope and Contents

Copy of Handwritten Score, 3p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 15, undated

Item — Box: 19, Folder: 12, Object: 16

Scope and Contents

Copy of Handwritten Score, 5p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 16, undated

Item — Box: 19, Folder: 12, Object: 17

Scope and Contents

Copy of Handwritten Score, 3p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 17, undated

Item — Box: 19, Folder: 12, Object: 18

Scope and Contents

Copy of Handwritten Score, 4p

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 18, undated

Item — Box: 19, Folder: 12, Object: 19

Scope and Contents

Copy of Handwritten Score, 4p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 19, undated

Item — Box: 19, Folder: 12, Object: 20

Scope and Contents

Copy of Handwritten Score, 2p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 20, undated

Item — Box: 19, Folder: 12, Object: 21

Scope and Contents

Copy of Handwritten Score, 6p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 21, undated

Item — Box: 19, Folder: 12, Object: 22

Scope and Contents

Copy of Handwritten Score, 4p

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 109, No. 26, undated

Item — Box: 19, Folder: 12, Object: 23

Scope and Contents

Copy of Handwritten Score, 3p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Unidentified Op., No. 11, 1942

Item — Box: 19, Folder: 12, Object: 24

Scope and Contents

Copy of Handwritten Score, 4p. Includes Edit Marks.

Dates: 1942

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Unidentified Op., No. 23, 1941

Item — Box: 19, Folder: 12, Object: 25

Scope and Contents

Partial Scan of Handwritten Score, 2p.

Dates: 1941

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Sonata in E Minor, undated

File — Box: 19, Folder: 13

Scope and Contents

Scan of Full Score, 27p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Giuseppe Ferrata (Addendum 4)

The Sweetgrass Trio for the New Age Trio for Violin, Cello, and Piano, 1982

File — Box: 19, Folder: 9

Scope and Contents

Copy of Handwritten Full Score, 62p. Includes Copy of Handwritten Instrument Parts: Violin, 17p. Cello, 11p.

Dates: 1982

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / C. Curtis Smith (Addendum 4)

Tête-à-Tête for Cello and Piano, July 1, 1974

Item — Box: 19, Folder: 10, Object: 1

Scope and Contents

Copy of handwritten Full Score, 18p. “for Michel Straus”.

Dates: July 1, 1974

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Jonathan Drexler (Addendum 4)

Six Bagatelles for Flute and Piano, December 1974

Item — Box: 19, Folder: 10, Object: 2

Scope and Contents

Copy of Handwritten Full Score, 11p. “dedicated with deep appreciation, to Thomas Nyfenger”.

Dates: December 1974

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Jonathan Drexler (Addendum 4)

Duo for Flute/Alto Flute and Piano, 1978

File — Box: 19, Folder: 11

Scope and Contents

American Composers Edition, Composers Facsimile Edition, 11p. Includes copy of instrument part: Flute, 5p.

Dates: 1978

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Michael Eckert (Addendum 4)

“What’s in an Octave?”, Op. 84 for Piano, undated

Item — Box: 19, Folder: 12, Object: 1

Scope and Contents

Copy of Full Score, 11p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Prelude and Fugue, Op. 94, 1931-1936

Item — Box: 19, Folder: 12, Object: 2

Scope and Contents

[Fugure, 1931, Prelude 1936] Copy of Handwritten Score, 7 pg. Includes editing marks.

Dates: 1931-1936

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 103, No. 6 “Sea Picture”, undated

Item — Box: 19, Folder: 12, Object: 3

Scope and Contents

Copy of Handwritten Score, 6p.

Dates: undated

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Studies in Pure Polytonality, Op. 103, No. 8, 1940

Item — Box: 19, Folder: 12, Object: 4

Scope and Contents

Copy of Handwritten Score, 4p.

Dates: 1940

Found in: University of Missouri-Kansas City Special Collections and Archives / MS-0078, American Composers Collection / Arthur Farwell (Addendum 4)

Special Collections and Archives Finding Aids

Box 19

Contains 43 Results:

Studies in Pure Polytonality, Op. 109, No. 5, 1941

Studies in Pure Polytonality, Op. 109, No. 7, undated

Studies in Pure Polytonality, Op. 109, No. 9, undated

Studies in Pure Polytonality, Op. 109, No. 12, undated

Studies in Pure Polytonality, Op. 109, No. 13, undated

Studies in Pure Polytonality, Op. 109, No. 14, undated

Studies in Pure Polytonality, Op. 109, No. 15, undated

Studies in Pure Polytonality, Op. 109, No. 16, undated

Studies in Pure Polytonality, Op. 109, No. 17, undated

Studies in Pure Polytonality, Op. 109, No. 18, undated

Studies in Pure Polytonality, Op. 109, No. 19, undated

Studies in Pure Polytonality, Op. 109, No. 20, undated

Studies in Pure Polytonality, Op. 109, No. 21, undated

Studies in Pure Polytonality, Op. 109, No. 26, undated

Unidentified Op., No. 11, 1942

Unidentified Op., No. 23, 1941

Sonata in E Minor, undated

The Sweetgrass Trio for the New Age Trio for Violin, Cello, and Piano, 1982

Tête-à-Tête for Cello and Piano, July 1, 1974

Six Bagatelles for Flute and Piano, December 1974

Duo for Flute/Alto Flute and Piano, 1978

“What’s in an Octave?”, Op. 84 for Piano, undated

Prelude and Fugue, Op. 94, 1931-1936

Studies in Pure Polytonality, Op. 103, No. 6 “Sea Picture”, undated

Studies in Pure Polytonality, Op. 103, No. 8, 1940

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