This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.

This series is dedicated solely to the evolution of Jeannie Cheatham’s published autobiography. It contains manuscripts, which begin with a proposal and conclude with a bound manuscript that is annotated, perhaps for final editing. Also included are correspondence, press releases, book reviews and promotional mock-ups. Located in boxes 2 and 3, with oversized material placed in photo box 3 with the oversized photographs as well as in oversized drawer 26.