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Scarlatti, Domenico, 1685-1757



  • Existence: October 26, 1685 - July 23, 1757


Italian composer and harpsichordist, son of Alessandro Scarlatti. Thought to have been pupil of his father and after 1708 of Pasquini and Gasparini in Venice, where he met Handel. In 1709, according to one biographer, Handel's patron, Cardinal Ottoboni, arranged a friendly keyboard contest between Handel and Scarlatti which was a tie, Handel being adjudged the better organist and Scarlatti the better harpsichordist. Worked in Rome 1708 – 19. Choirmaster to Queen of Poland, composing operas for her private theatre in Rome. Choirmaster, Cappella Giulia at St Peter's 1714 – 19. Court harpsichordist to King of Portugal and teacher of Princess Maria Barbara in Lisbon 1719 – 28; returned to Italy on leave 1725 – 9; accompanied Maria Barbara to Spain on her marriage to the Spanish Crown Prince in 1729. Stayed in Madrid for rest of his life, becoming Maria Barbara's maestro de cámera when she became queen. Domenico did for keyboard‐playing what his father did for opera, by imparting to it a hitherto unsuspected freedom of style. Introduced many new technical devices (rapid repetitions, crossed hands, double‐note passages, etc.) and the 550 single‐movement sonatas he wrote in Spain are exercises (esercizi) as well as innovatory compositions foreshadowing sonata form. Also composed 14 operas, masses, Stabat Mater for 10 vv., Salve Regina, cantatas, at least 12 concerti grossi, 17 sinfonias, and org. fugues. His works have been catalogued by R. Kirkpatrick, superseding the Longo catalogue begun in 1906.

Source: ""Scarlatti, Domenico."" In The Oxford Dictionary of Music, 2nd ed. rev., edited by Michael Kennedy. Oxford Music Online, (accessed February 16, 2011).

Found in 1 Collection or Record:

Domenico Scarlatti, 1771

 File — Box 2, Folder: 8
Scope and Contents From the Collection: The Classical Music Manuscript contains a wide array of score and parts, in both manuscript and printed form, from composers and music educators dating back to the Eighteenth Century. Along with recognizable names such as Domenico Scarlatti, there are many far lesser known composers from the time of Mozart and Beethoven that are represented here in this collection, with rare scores and pedagogical manuals. Not only are the items an interesting glimpse into virtually unknown works, they are a...
Dates: 1771